1. |
The Dark Hug Of Time
12:01
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Never where the way she was
with the dark hug of time
won’t be a thing to become
the roars into view
and the rest of us
are coming to rest
There is nowhere everywhere
whatever a big decision
a new disaster
seen how far things are hard
almost over the fear city
over angels in the snow
Knock ol’ river
tuning in the absent curve
of overwhelming hurt burst
single lord in spite of me
with a hundreds of sparrows
in the blood bank
Pain is just a cloud
not far from us
and peace begins at home
with trouble dogs on the beach
the green man and the french horn
walkabout bugs
the sound and the sea again
have you seen the rainbow over those
where you lay your head on the rails
And comeback the mouth of seven tongues
south of the port, shut of heaven
destin the rain over you
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2. |
Bush Lady
08:32
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the bush lady
from the perspective of a young girl
who returns to the village after the event
and asks „Where are the trees?
Where are my friends? Girly is gone.“
the bush lady
understand a fraction of activist films,
often reveal the stories slowly and through
many perspectives and timeframes, cracking
open rarely heard voices to the light.
the bush lady
sings alone in the dark in the park:
a girl from the reserve moves to the big city,
and comes back home to help her community.
The bush lady sings a lot
But the reason the children need a pool is
that the river has become too polluted for them
to swim in and they’re not welcome at the white kids’
pool.
the bush lady’s
vocal is something we need in our daily lives,
an old bad ritual to overcome the underground
in the platoons of the overwhelming flowers of evil.
bush lady bush lady bush lady
allow us to stretch out, to really give us ragas
the gentleness and time they need to unfold.
(repeat last verse)
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3. |
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Normalerweise spielt, bläst oder schlägt es
in dem hinteren Blechbläser-Abteil und
es rumpelt gehörig im Knallobst und den
Hörgeräten da draussen.
Alles klingt blechern und verwoben mit dem,
was die Umgebung räsoniert:
Rauschen, Tröten, Chroosen und Knallen
wird zu einem Teil ein Lauschlabor.
Rollkoffer quietschen und schrammeln
über Pisten, ein akustisches Potential
auf gepflasterten Wegen im Flughafen.
Transitzone und natürlichesHabitat
der Neozoten.
Tee, Teppiche und Beduinen-Zelte
sind zu verzollen, öffnen das Ohr
für Nicht-Westliches mit Weitblick
Das Halbdunkel des Waldes beginnt
zu klingen zwischen Licht und Schatten.
Im lichten Walde lauern die Epigonen
alter Opern und schlingen sich in die
Landschaft hinein, mehr untot als lebendig
ist nur eine Stimme übrig geblieben.
Der Loop.
(Auf einer Lichtung im Wald.)
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4. |
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5. |
Sunrise
04:30
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6. |
Silver
03:54
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silberne Löffel
Geflecht aus Dornen und Ziegenkäse
umwoben von lauwarmen Semmeln
schraffierte Flächen
umschlossen von Hauptstadtbesuchern
in Hemdsärmeln mit Sonnenbrillen
Kohlenstaub
umringt von Elefantenkot
mit Appetitzüglern zusammen genommen
goldener Herbst
mit Abendstimmung von sonoren Tenören
im T-Shirt am Beach
Abgasskandal
von der Auto-Lobbie gewollt
uns zu verscheissern
spätes Morgenrot
mit Zinnober und Schinderrassa
viel Rauch um Nichts
vertanes Glück
im Spätsommerlicht
mit Geschick vor die Wand
geflochtenes Haar
aussortiert nach Gemach
von überflüssigem Metall
Fahrenheit
und Albernheiten gesondert
behandelt in abgeschlossen Räumen
viel von der Hand
in den Mund geschoben
und erbrochen
wollen anstaltslos
vornüber in den Kessel
federleicht
und stimmungsvoll
mit Ansage und anstaltslos
festgenagelt am Straßenkreuz
vollendetes Tafelsilber
und eigenbrötlerische Verstiegenheit
gesurrt am Hopppensteiger Kreuz
in den Arsch geschoben
und wiedergekäut
im Schmelztiegel unsteter Gefühle
Silber
Silber Silber
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7. |
Der Himmel hängt schief
02:16
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8. |
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flickering treble pulse until it starts
fundamentals as cymbals caressed with (a bow)
trees photographed on the sleeve
a dense, rumbling undertow that hurts (at a darker
emotional state).
constellation is a change of direction
interrupted solos grew directly out of
with uplifting sound, as far as I can make out
never clever drunken lament
impressionistic vignettes is like inhabiting my memories.
sentimentalizing it or being trapped by it
that it can engage in a similar exchange
moved to other states fetishism into a type
of music that was previously, resolutely background.
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dKrem. / dKrem.'s Time Travel Agency Dusseldorf, Germany
dkrem. is the project of the Düsseldorf artist & musician Dieter Kulsdom. In his capacity as dKrem. he indulges in his passion for electronic music and film soundtracks. The music includes abrupt changes of radio play like collages & electronic beats, groovy loops are contrasted with spherical-celestial sounds or noisy tape sections are followed by pop like tunes, giving a touch of classic songs. ... more
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